Lets talk about love carl wilson chapter summaries

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lets talk about love carl wilson chapter summaries

Lets Talk About Love: A Journey to the End of Taste by Carl Wilson

Non-fans regard Celine Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her (creepy) manager-husbands struggle with cancer, her knack for howling out raw emotion. Theres nothing cool about Celine Dion, and nothing clever. Thats part of her appeal as an object of love or hatred — with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt. This book documents Carl Wilsons brave and unprecedented year-long quest to find his inner Celine Dion fan, and explores how we define ourselves in the light of what we call good and bad, what we love and what we hate.
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Carl Wilson’s Let’s Talk About Love (2007) BOOK REVIEW

Let’s Talk About Love: A Journey To The End Of Taste, by Carl Wilson

Qty :. How can anyone say which side is right? This new, expanded edition goes even further, calling on thirteen prominent writers and musicians to respond to themes ranging from sentiment and kitsch to cultural capital and musical snobbery. In a new afterword, Carl Wilson examines recent cultural changes in love and hate, including the impact of technology and social media on how taste works or doesn't in the 21st century. Let's Talk About Hate 2. Let's Talk in French 4.

chapters 5-8

The Bat Segundo -- Carl Wilson

So, for instance, we might insist that we never listen to country songs, or that Romantic classical music is an instant turn off. Whatever our tastes, though, what we like we also tend to hold dear and defend because music has an uncanny ability to seem to reinforce our identity: how we see ourselves in the world, and even how we see the world itself. Music can be that powerful as both a mirror and lens of self-understanding. It can get to the point where if someone insults your favorite music you take it personally! But what would it be like if we stopped listening for a moment to the musics we hold dear and turned instead to musics that we believe to lie outside our circle of taste? Could we learn anything from this exercise?

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