Using silver efex pro 2

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using silver efex pro 2

Dramatic Black & White Photography Using Nik Silver Efex Pro 2 Quotes by Robin Whalley

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DxO Webinar - PhotoLab 2 and Silver Efex Pro 2 - Beyond Black and White Jochen Kohl

Steps Before Using Silver Efex Pro 2. Before you begin converting your photo in Silver Efex Pro 2, you could use the RAW Presharpener tool in the Nik.

Silver Efex Pro

Click to view larger image. Photographing a good image is difficult enough, so when it comes to processing, plugins that help you bring your vision to life effortlessly are indispensable. SEP does a great job of blending superior technology with ease of use. Although this may bristle the hairs on the backs of a few of you holding on tightly to your last roll of Tri-X, the reality is that the digital era is here to stay. You can think of SEP as a digital darkroom; its sole purpose is to help you create dynamic black-and-white images. Why use SEP and not some other plugins or a software suite? Simply put, SEP does a better job because of its unique algorithm, which is designed to render a superior tonal range with exceptional contrast and texture control features.

Last Updated on March 6, by Dahlia Ambrose. Many photographers have been tempted to a closer look at the Nik Collection by Google , but may still not have had a chance to do so. How come? However, if you haven't yet, you're missing out on a great deal i. Below you will find a list of areas where Nik Silver Efex Pro 2 beats Lightroom for black and white photography. Before we really get stuck in — Have your considered some guidance from a pro photographer about processing your images in black and white?

B&W Unique Algorithms

The tool offers loads of flexibility and and high quality results with minimal loss of image information just like all of the Nik Software tools. In the image below, I recall that there was an intense storm moving in, and dark clouds were quickly encroaching. Where I stood, there was a lone tree stump glistening in the sunlight, and the stark contrast between the stump and the dark looming clouds in the background caught my eye. My next step was to use Viveza to bring out some depth to the sky by adding some structure to the clouds. However, because increasing structure can result in increased noise, and because the sky in this image was already noisy, I felt this was a good time to apply a dose of noise reduction.

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